“A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

Peer reviewed article published in Senses of Cinema 103 (October 2022) Article Introduction This year Star Wars (George Lucas, 1977) commemorated its 45th anniversary. This anniversary recognises the passage of time since its theatrical premiere at Grauman’s Chinese Theatre in Los Angeles on Wednesday 25 May 1977. Such milestones are often associated with historical distance or cultural nostalgia that offer an opportunity to reflect on aesthetic and cultural impact … Continue reading “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

Secrets of Blockbuster Franchises – Project Tempest Podcast

Project Tempest Podcast Episode 15 I had the pleasure of joining the Project Tempest Podcast to talk about blockbuster franchising, creative development, and the multiplatform potential of a story idea. In this discussion, we talk about blockbuster entertainment properties, such as the Marvel Cinematic Universe and Star Wars, smaller scale independent application of the franchise model, and the opportunities that franchise development can offer emerging … Continue reading Secrets of Blockbuster Franchises – Project Tempest Podcast

Eternal Variation in the Marvel Cinematic Universe

The Marvel Cinematic Universe (MCU) has attracted increasing attention as an exemplar of blockbuster franchising over the past decade, with milestones that include a Best Picture Oscar nomination for Black Panther (2018) and a (momentary) highest-grossing release of all time with Avengers: Endgame (2019) (a mantle since retaken by the re-release of the 2009 blockbuster, Avatar). The ‘MCU’ is undeniably popular and continues to engage … Continue reading Eternal Variation in the Marvel Cinematic Universe

Cruising Stardom in Hollywood Franchising: Tom Cruise as Franchise Star in the ‘Mission: Impossible’ and ‘Dark Universe’ Storyworlds

Starring Tom Cruise, edited by Sean Redmond. Wayne State University Press, 2021. Book Description Starring Tom Cruise examines how Tom Cruise’s star image moves across genres and forms as a type of commercial product that offers viewers certain pleasures and expectations. Cruise reads as an action hero and romantic lead yet finds himself in homoerotic and homosocial relationships that unsettle and undermine these heterosexual scripts. In … Continue reading Cruising Stardom in Hollywood Franchising: Tom Cruise as Franchise Star in the ‘Mission: Impossible’ and ‘Dark Universe’ Storyworlds