“Make it in Post:” Digital Visual Effects and the Temporality of Creative Value in Post-Production

Published in The Palgrave Handbook of Screen Production, edited by Susan Kerrigan, Craig Batty, Marsha Berry, Kath Dooley, and Bettina Frankham and published by Palgrave Macmillan. Continue reading “Make it in Post:” Digital Visual Effects and the Temporality of Creative Value in Post-Production

Making it in Post-Production: Special/Visual Effects Distinctions and Digital Disruptions in the Screen Production Process

Presentation at the Australian Screen Production Education and Research Association (ASPERA) annual conference, at the Victorian College of the Arts (VCA) in Melbourne. Continue reading Making it in Post-Production: Special/Visual Effects Distinctions and Digital Disruptions in the Screen Production Process

Post-Hollywood: The Illusion of Location in Melbourne’s Post, Digital, and Visual Effects Industry

I was recently invited to participate in the Digital Studio’s Seminar Series at The University of Melbourne. It was a great opportunity to share some of my research on Hollywood visual effects work in Melbourne, which is part of ongoing research work. Event details here. Abstract No longer confined to the entertainment industry’s geographical hub of Los Angeles, Hollywood visual effects production is now a … Continue reading Post-Hollywood: The Illusion of Location in Melbourne’s Post, Digital, and Visual Effects Industry