Lomax, Tara. 2020. “Cruising Stardom in Hollywood Franchising: Tom Cruise as Franchise Star in the ‘Mission: Impossible’ and ‘Dark Universe’ Storyworlds.” Starring Tom Cruise. Ed. Sean Redmond. Wayne State University Press
Lomax, Tara. 2020. “‘You were the Chosen One!’: Darth Vader and the Sequential Dynamics of Villainy in the Star Wars Prequel Trilogy.” The Dark Side: A Supervillain Reader, edited by Robert Peaslee and Rob Weiner. University of Mississippi Press.
Lomax, Tara. 2019. “The Franchise Era: Blockbuster Hollywood in the 2010s…and Beyond,” Senses of Cinema 92
Lomax, Tara. 2019. “Make it in Post: Digital Visual Effects and the Temporality of Creative Value in Post Production.” The Palgrave Handbook of Screen Production, edited by Susan Kerrigan, Craig Batty, Marsha Berry, Kath Dooley, and Bettina Frankham. Palgrave Macmillan.
Lomax, Tara. 2019. “Practicing Superhuman Law: Creative Licence, Industrial Identity, and Spider-Man’s Homecoming.” The Superhero Symbol: Culture, History, Politics, edited by Liam Burke, Angela Ndalianis, and Ian Gordon. Rutgers University Press.
Balanzategui, Jessica, Naja Later and Tara Lomax. 2019. “Hannibal Lecter’s Monstrous Return: The Horror of Seriality in Bryan Fuller’s Hannibal.” Becoming: Essays on NBC’s Hannibal, edited by Kavita Mudan Finn and EJ Nielson. Syracuse University Press.
Lomax, Tara. 2018. “Cannibalizing Montage: Slicing, Dicing, and Splicing in Bryan Fuller’s Hannibal.” Quarterly Review of Film and Video 35.6: 644–656.
Lomax, Tara. 2018. “‘Too Busy Building a World to Tell a Story’: Between World-Building and Storytelling in the Cleverman Storyworld,” Senses of Cinema 89
Lomax, Tara. 2017. “‘Thank the Maker! George Lucas, Lucasfilm, and the Legends of Transtextual Authorship Across the Star Wars Franchise,” Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest. Amsterdam University Press.