Tara Lomax (2022) “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45.” Senses of Cinema 103.



Tara Lomax (2020) “‘You were the Chosen One!’: Darth Vader and the Sequential Dynamics of Villainy in the Star Wars Prequel Trilogy.” The Dark Side: A Supervillain Reader, edited by Robert Peaslee and Rob Weiner. University of Mississippi Press.


Tara Lomax (2019) “The Franchise Era: Blockbuster Hollywood in the 2010s…and Beyond,” Senses of Cinema 92

Tara Lomax (2019) “Make it in Post: Digital Visual Effects and the Temporality of Creative Value in Post Production.” The Palgrave Handbook of Screen Production, edited by Susan Kerrigan, Craig Batty, Marsha Berry, Kath Dooley, and Bettina Frankham. Palgrave Macmillan.

Tara Lomax (2019) “Practicing Superhuman Law: Creative Licence, Industrial Identity, and Spider-Man’s Homecoming.” The Superhero Symbol: Culture, History, Politics, edited by Liam Burke, Angela Ndalianis, and Ian Gordon. Rutgers University Press.

Jessica Balanzategui, Naja Later and Tara Lomax (2019) “Hannibal Lecter’s Monstrous Return: The Horror of Seriality in Bryan Fuller’s Hannibal.” Becoming: Essays on NBC’s Hannibal, edited by Kavita Mudan Finn and EJ Nielson. Syracuse University Press.


Tara Lomax (2018) “Cannibalizing Montage: Slicing, Dicing, and Splicing in Bryan Fuller’s Hannibal.” Quarterly Review of Film and Video 35.6: 644–656.

Tara Lomax (2018) “‘Too Busy Building a World to Tell a Story’: Between World-Building and Storytelling in the Cleverman Storyworld,” Senses of Cinema 89


Tara Lomax (2017) “‘Thank the Maker! George Lucas, Lucasfilm, and the Legends of Transtextual Authorship Across the Star Wars Franchise,” Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest. Amsterdam University Press.