Practicing Superhuman Law: Creative License, Industrial Identity, and Spider-Man’s Homecoming

Published in The Superhero Symbol: Media, Culture, and Politics, edited by Liam Burke, Ian Gordon, and Angela Ndalianis, and published by Rutgers University Press, 2019. Continue reading Practicing Superhuman Law: Creative License, Industrial Identity, and Spider-Man’s Homecoming

Senses of Cinema, World Poll 2018

The Senses of Cinema World Poll has come around again and I’m happy to have contributed to this significant and extensive project for another year. As with my 2017 contribution, I focus only on franchise instalments because I consider franchise cinema to be an important mode of contemporary entertainment and worth acknowledging in any celebration of cinema and cinephilia. In 2017, I ordered my list … Continue reading Senses of Cinema, World Poll 2018

The Legacy of Superhero Film Serials: Early Adaptations, Crude Licensing Agreements, and the Case of Republic Pictures’ ‘Captain America’ (1944)

Presentation at the Superheroes Beyond Conference, convened by the ARC-supported research group Superheroes & Me and hosted by the Australian Centre for the Moving Image (ACMI) in Melbourne, Australia — 6–8 December, 2018. Continue reading The Legacy of Superhero Film Serials: Early Adaptations, Crude Licensing Agreements, and the Case of Republic Pictures’ ‘Captain America’ (1944)