Talking Franchises: The World of Transmedia Development with Jeff Gomez

Interview with leading transmedia developer Jeff Gomez, CEO of Starlight Runner Entertainment. In this conversation we discuss the art and craft of transmedia development, including the successes and failures of franchises like Dark Universe, Star Wars, Marvel Cinematic Universe, and more. Continue reading Talking Franchises: The World of Transmedia Development with Jeff Gomez

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Senses of Cinema, World Poll 2018

The Senses of Cinema World Poll has come around again and I’m happy to have contributed to this significant and extensive project for another year. As with my 2017 contribution, I focus only on franchise instalments because I consider franchise cinema to be an important mode of contemporary entertainment and worth acknowledging in any celebration of cinema and cinephilia. In 2017, I ordered my list … Continue reading Senses of Cinema, World Poll 2018

The Legacy of Superhero Film Serials: Early Adaptations, Crude Licensing Agreements, and the Case of Republic Pictures’ ‘Captain America’ (1944)

Presentation at the Superheroes Beyond Conference, convened by the ARC-supported research group Superheroes & Me and hosted by the Australian Centre for the Moving Image (ACMI) in Melbourne, Australia — 6–8 December, 2018. Continue reading The Legacy of Superhero Film Serials: Early Adaptations, Crude Licensing Agreements, and the Case of Republic Pictures’ ‘Captain America’ (1944)

On Being Cinematic in the Marvel Cinematic Universe: Medium Specificity in Transmedia Storytelling and Media Franchising

Conference presentation at the Sydney Screen Studies Network (SSSN) Symposium, University of New South Wales 8 December 2017 It was great to attend and present at the Sydney Screen Studies Network‘s 2017 Symposium earlier this month, focused on the topic “Intersections in Film and Media Studies”. Full symposium program available here My presentation reworked my thesis methodology to consider the role of medium specificity within the … Continue reading On Being Cinematic in the Marvel Cinematic Universe: Medium Specificity in Transmedia Storytelling and Media Franchising